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Faked photos for Soviet propaganda

During the era of Stalinist Russia, it was a common practice to revise Soviet history by expunging inconvenient individuals, frequently men and women who had initially supported the Communist Revolution in its early stages but had later incurred the disapproval of Stalin.

Trotsky Addresses the Crowds

On the steps outside the Bolshoi Theater in May, 1920 – to the right we can see Trotsky, with Kamenev partly obscured behind him.  The falsification of this photograph is probably the first and certainly the most famous example of Stalinist retouching.

The original photograph, achieved icon status, while Lenin was still alive and Trotsky still had power.  After Trotsky’s downfall, the photograph was never again shown in its entirety in the USSR.  Even during the Gorbachev period the photo was cropped to eliminate Trotsky and Kamenev.

Soviet Picture Editing in the 1930’s

A photograph from 1934 Russian edition of the album “Ten Years of Uzbekistan” shows the crude defacing of three members of the Central Committee. 

The one on the front right, Yenukidze was one of the last Old Bolsheviks to be murdered along with eight members of his family.  The man in the center front row is Molotov.  He managed to survive until the very end of the Stalinist regime.  However, Stalin did imprison his wife.

Stalin Cult of Personality

From the mid-1930’s the Stalinist propaganda machine churned out thousands of sculptures, paintings, and drawings to exaggerate the closeness of his relationship with Lenin.  The photograph of Lenin and Stalin near Moscow in 1922 [top left] bears every sign of having been faked.  The ponderous sculpture made in 1938 based on the faked photograph [top right].  Below the top two pictures are other examples of the Stalin-Lenin exaggeration.

Further Reading: The Commissar Vanishes: The Falsification of Photographs and Art in Stalin’s Russia

Peshkov Reappears

Standing behind Lenin and his chess partner Bogdanov, and next to Gorky [hat on and hand in chin] is Zinovii Peshkov. 

In the first picture Peshkov had disappeared, while in the next picture he reappears.  There is no explanation for this disappearance- reappearance.  Nor is there any explanation of the woman’s skirted knee in the right hand picture.

Lenin moves

Vladamir Lenin is pictured standing on the bed of a truck addressing a crowd in Red Square. In the original picture, Tibor Samuelli, a special envoy from the Hungarian revolutionary government, stands behind the leader.

Later, under Stalin’s regime, the picture was reissued but this time without Samuelli. Because he did not want any connection to the internationalization of the Bolshevik revolution, Stalin remade history with a brush and ink.

The Conspirators

Meeting in St. Petersburg in February 1897 with Lenin.  Left standing is Alexander Marchenko.  Along with the others Marchenko was exiled for 3 years in Siberia.  Returning from exile in 1900 he abandoned revolutionary politics.  In 1929 he was arrested, wrongfully accused of being a “wrecker,” and executed in 1930. 

For 30 years he was air-brushed out of the photo whenever it was reproduced.  In 1958 he was rehabilitated, at which time his presence was allowed to re-appear.

The Commissar Vanishes

Lenin and Trotsky [center, top of stairs] celebrating second anniversary of the revolution in November 1919. 

A heavily retouched version was published in 1967.  Trotsky has been air-brushed out.

Enemy of the People

Above left, participants of the 11th Congress, Moscow, 1922.  Left of Stalin is Grigorii Petrovsky, and Sergo Ordjonikidze. 

When this photo was taken Stalin had just been appointed General Secretary.  The retouched photo on the right was published in connection with Stalin’s 60th birthday in 1939.  There is no longer room for Petrovsky or Ordjonikidze.  Petrovsky was sacked from the Central Committee in 1928, accused of having connections with “enemies of the people.”  Notice how Ordjonikidze has moved closer to the Boss.

Further Reading: The Commissar Vanishes: The Falsification of Photographs and Art in Stalin’s Russia

Four, Three, Two, One…

Original photo included from left to right: Anippov, Stalin, Kirov, and Shvernik.  Taken in Leningrad in 1926, celebrating the defeat of Zinoviev’s anti-Stalinist opposition.  The photo of three reveals the disappearance of Antipov [the chandelier has also been eliminated].  Antipov had joined the Bolsheviks in 1912, chairman of the Petrograd Cheka in 1918, and later prime minister Molotov’s secretary.  Arrested and sent to prison where he was the last Stalinist cadre to be shot in August, 1941. 

In the next picture, Shevernik was erased when the photo was used in 1949 for a short biography of Stalin.  Finally, an oil painting by Brodsky based on the original photo. Stalin the executioner alone remains.

Long-term Friendships

This group shot, taken at the 14th Party Conference in April, 1925 is a classic example of Stalinist photographic manipulation.  Only one of Stalin’s comrades in this picture would die from natural causes.

The same photograph published in 2 biographies of Stalin that appeared in 1939 and 1949, has been retouched and rearranged to reduce the group to four, 60% of those present were erased from history.

The Commissar Vanishes:
The Falsification of Photographs and Art in Stalin’s Russia
New Edition Paperback – Illustrated, September 2, 2014
Brand new edition of David King’s lauded visual history. A unique and brilliant study into the doctoring and propogandising of Soviet photographs by Stalin’s regime. From the creator of the award-winning Red Star Over Russia.

The Cult of Stalin and Propaganda

A cult of personality is the creation of a heroic or godlike public image through mass media and propaganda. Cults of personality are usually found in dictatorships and backward nations. The main reason to create a cult of personality is to obtain undying devotion of the people.

When people started worshiping Stalin as a god, he was given ultimate power. Through the cult of personality Stalin was able to set up his personal dictatorship and run unopposed and unquestioned. Due to the small number of people who did oppose him he had no problem killing them.

There are 4 main ways Stalin’s cult of personality was created:

The main reason for propaganda was pretty much the same as that for the cult of personality, provided a better grip on power, but propaganda also had a wider range of uses:

There were 7 main ways in which propaganda was spread:

  1. Posters
  2. Art
  3. Literature
  4. Film
  5. News
  6. Education
  7. Youth groups

The most effective form of propaganda was news reels:

Stalin deemed education to be a vital part of c being a communist, because if children are taught to be communists the brain washing is more effective.

Stalin reformed the education system when he came to power. This reform was good for the people and made education more effective and accessible but I also contained some reforms that could be called introducing propaganda into the school system:

Youth groups were another form of propaganda implemented on children:

The use of propaganda was vital for the creation of Stalin’s cult of personality and one of the more important parts if it was how Stalin associated himself with Lenin after his death:

Stalin did all this so that he could then transfer Lenin’s cult of personality onto him self. He was successful and this brought about the era of Stalinization:

To conclude:

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